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'మహా'పోరు: ఆధిక్యంలో కమలదళం.. కానీ.. - maharastra election news
మహారాష్ట్ర శాసనసభ ఎన్నికల ఓట్ల లెక్కింపులో అధికార పక్షం ఆధిక్యం కనబరుస్తోంది. అయితే... విపక్ష కాంగ్రెస్-ఎన్సీపీ కూటమి ఎగ్జిట్ పోల్స్ అంచనాలను మించి జోరు కనబరుస్తోంది.
'మహా'పోరు: ఆధిక్యంలో కమలదళం.. కానీ..
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Published : Oct 24, 2019, 10:00 AM IST
మహారాష్ట్ర అసెంబ్లీ ఎన్నికల ఓట్ల లెక్కింపు ముమ్మరంగా సాగుతోంది. భాజపా-శివసేన కూటమి ఆధిక్యంలో కొనసాగుతుంది. కాంగ్రెస్-ఎన్సీపీ కూటమి ఊహించినదానికన్నా ఎక్కువ స్థానాల్లో జోరు కనబరుస్తోంది. తుది ఫలితంపై సర్వత్రా ఉత్కంఠ నెలకొంది.
శాసనసభ ఎన్నికలు ఈనెల 21న ముగిసిన అనంతరం ఎగ్జిట్ పోల్స్ భాజపాకే పట్టం కట్టాయి. భారీ మెజారిటీ సాధిస్తుందని తేల్చాయి. కానీ ఓట్ల లెక్కింపును పరిశీలిస్తే ఎగ్జిట్ పోల్స్ తేల్చినంత ఏకపక్షంగా ఫలితాలు ఉండబోవనేది స్పష్టంగా తెలుస్తోంది.
మహారాష్ట్ర అసెంబ్లీ ఎన్నికల ఓట్ల లెక్కింపు ముమ్మరంగా సాగుతోంది. భాజపా-శివసేన కూటమి ఆధిక్యంలో కొనసాగుతుంది. కాంగ్రెస్-ఎన్సీపీ కూటమి ఊహించినదానికన్నా ఎక్కువ స్థానాల్లో జోరు కనబరుస్తోంది. తుది ఫలితంపై సర్వత్రా ఉత్కంఠ నెలకొంది.
శాసనసభ ఎన్నికలు ఈనెల 21న ముగిసిన అనంతరం ఎగ్జిట్ పోల్స్ భాజపాకే పట్టం కట్టాయి. భారీ మెజారిటీ సాధిస్తుందని తేల్చాయి. కానీ ఓట్ల లెక్కింపును పరిశీలిస్తే ఎగ్జిట్ పోల్స్ తేల్చినంత ఏకపక్షంగా ఫలితాలు ఉండబోవనేది స్పష్టంగా తెలుస్తోంది.
ఇదీ చూడండి: రిజల్ట్స్ లైవ్ : రెండు రాష్ట్రాల్లోనూ భాజపా ముందంజ
UK BRIDGET RILEY ART
SOURCE: ASSOCIATED PRESS
RESTRICTIONS: AP Clients Only
LENGTH: 6:29
SHOTLIST:
ASSOCIATED PRESS - AP CLIENTS ONLY
London, UK - 22 October 2019
1. Pull out of "Paean" 1973 on display at the Hayward Gallery's new exhibit "Bridget Riley"
2. Wide of gallery visitor looking at artworks
3. Pull focus of "From Here" 1994
4. Wide of artworks
5. Pull focus of "Rise 1" 1968
6. Pan left of visitors, gallery space
7. Close of "Justinian" 1988
8. Pan left of visitors, gallery space
9. Pull focus of "Ra" 1981
10. Various of "From Here" 1994
11. SOUNDBITE (English) Cliff Lauson, Curator:
"She's best known for her works that have perceptual effects to them, they really challenge your eyes and the way you see. They're always abstract, sometimes using black and white, sometimes using colour, but they do provide you with some pretty amazing perceptual experiences."
12. Wide of visitors, gallery space
13. Various of "Rajasthan" 2012
14. Various of "Reve" 1999
15. Tilt down to "Painting with Verticals 3" 2006
16. SOUNDBITE (English) Cliff Lauson, Curator:
"Riley is an artist who has been absolutely inspired by the long art history, by the famous painters in the history of art canon, and she's worked over the course of her working life to understand, like those artists have understood before her, the use of colour, the use of comparisons of colour, things like tone, shade, light, and how to bring those together in her own signature abstract way."
17. Wide of visitors, gallery space
18. Pan left of artworks
19. Pan right from visitors to artworks
20. Close of "Study (Bernard Rose)" 1951-52
21. Pull focus of "Tonal Study (Bernard Rose)" 1951-52
22. Various of "Copy of Van Eyck's 'A Man in a Red Turban'" 1947
23. Pan right from visitor to artworks
24. Tilt down of "Copy after 'Le Pont de Courbevoie' by Georges Seurat" 1959
25. Close of "Untitled (Study for 'Climax')" 1963
26. Tilt up of "Untitled (Study for 'Climax')" 1963
27. Pan left of press presentation, Bridget Riley, Artist (centre), sitting
28. Cutaway of visitor taking picture
29. SOUNDBITE (English) Bridget Riley, Artist:
++AUDIO AS INCOMING++
"I think I look with my sight, so to speak, and you, understandably when you come here, are looking at these paintings."
30. Pan left of artworks
31. Various of "Final Cartoon for 'From Here'" 1994
32. SOUNDBITE (English) Bridget Riley, Artist:
++AUDIO AS INCOMING++
"It doesn't have to serve a purpose, like actually a great deal of other paintings. It doesn't have to represent something. Colours, lines, shapes, spaces, do not have to stand in for double duty, so to speak."
33. Various of "Quiver 3" 2014
34. Tilt down to "Pause" 1964
35. Wide of visitors looking at artworks
36. Pan left of artworks
37. Pull focus of Untitled "Untitled (Fragment 3)" 1965
38. Tilt up of "Untitled (Fragment 5) 1965
39. SOUNDBITE (English) Cliff Lauson, Curator:
"What's amazing about Riley's work is that for all the different types of abstraction that you might see, from stripes, to diagonals, to curves, different compositions, she's actually, underlying all that, inspired by nature. She is really interested in how light plays through landscape, how light falls through leaves or on somebody's face. And understanding those sort of foundational principles allows her to create such dramatic work."
40. Wide of "Untitled (Measure for Measure Wall Painting" 2017
41. Zoom in of "Study for Measure for Measure 13" 2017
42. Wide of visitor looking at "Intervals 2" 2019
43. Tilt down of "Intervals 2" 2019
44. SOUNDBITE (English) Cliff Lauson, Curator:
"I really hope that all visitors coming into the gallery have a chance to really understand what it means to look and to see, and I think the great part about Riley's work is that she puts an artwork out there and then whoever comes in front of that picture brings with it whatever they bring with it, whoever they are, however they see. And they can learn something about their own way of seeing the world and their own perception."
45. Wide of artworks, visitor
46. Pull focus of "From Here" 1994
47. Close of "Rise 1" 1968
48. Pan left of visitors, gallery space
49. Close of banner, reading (English): "Bridget Riley"
50. Tilt up of Hayward Gallery exterior
51. Close of water, showing Hayward Gallery reflection
LEADIN:
London's Hayward Gallery is presenting the largest-ever exhibit devoted to British artist Bridget Riley.
Riley is famed for her mind-bending artworks - filled with shapes and colours - they're inspired by her perceptions of nature.
STORYLINE:
An explosion of shapes, colours and diagonals. London's Hayward Gallery is presenting a major new exhibit devoted to British artist Bridget Riley.
It's the largest exhibit of her work to date, spanning 70 years. It includes over 200 works and 50 key paintings by the now 88-year-old.
In 1960, Riley evolved a style that produces a disorientating physical effect on the eye. It became known as "op art", using geometric forms to create optical effects.
The abstract paintings explore the fundamental nature of perception.
"She's best known for her works that have perceptual effects to them, they really challenge your eyes and the way you see," says curator Cliff Lauson.
"They're always abstract, sometimes using black and white, sometimes using colour, but they do provide you with some pretty amazing perceptual experiences."
"Riley is an artist who has been absolutely inspired by the long art history, by the famous painters in the history of art canon, and she's worked over the course of her working life to understand, like those artists have understood before her, the use of colour, the use of comparisons of colour, things like tone, shade, light, and how to bring those together in her own signature abstract way."
Riley was born in London in 1931.
The exhibit features early studies from the 1950s, black and white works from the 1960s and colourful dotted pieces from the last few years.
Elsewhere, the gallery's large architecture has been filled with several of the artist's sprawling wall works. Many large canvasses on display have rarely been seen in the UK.
Riley is attending the preview of the new exhibit and explained her abstract approach.
"I think I look with my sight, so to speak, and you, understandably when you come here, are looking at these paintings," she says.
"It doesn't have to serve a purpose, like actually a great deal of other paintings. It doesn't have to represent something. Colours, lines, shapes, spaces, do not have to stand in for double duty, so to speak."
Lauson says Riley's works are influenced by her observations of the natural world.
"She is really interested in how light plays through landscape, how light falls through leaves or on somebody's face," he says.
"And understanding those sort of foundational principles allows her to create such dramatic work."
It's the third solo exhibit Riley has presented at the gallery, following shows in 1971 and 1992.
"I really hope that all visitors coming into the gallery have a chance to really understand what it means to look and to see," says Lauson.
"And I think the great part about Riley's work is that she puts an artwork out there and then whoever comes in front of that picture brings with it whatever they bring with it, whoever they are, however they see.
"And they can learn something about their own way of seeing the world and their own perception."
"Bridget Riley" opened Wednesday (23 October) and runs till 26 January 2020. The exhibit was previously staged at the Scottish National Gallery.
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