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ఇకపై ఫిక్సింగ్ ఆటలు సాగవు: ఐసీసీ
క్రికెట్లో అక్రమాలు, అవినీతిని అరికట్టేందుకు చర్యలు ప్రారంభించింది అంతర్జాతీయ క్రికెట్ మండలి. మ్యాచ్ ఫిక్సింగ్, స్పాట్ ఫిక్సింగ్పై పోరాడేందుకు ఇకపై ఇంటర్పోల్ సహకారం తీసుకోనుంది.
ఫిక్సింగ్పై యుద్ధానికి ఇంటర్పోల్తో కలిసిన ఐసీసీ
By
Published : Apr 3, 2019, 8:30 PM IST
క్రికెట్లో మరింత పారదర్శకతను తీసుకొచ్చేందుకు ఐసీసీ సరికొత్త ఆలోచన చేసింది. ప్రపంచమంతా నెట్వర్క్ ఉన్న ఇంటర్పోల్ సహాకారం తీసుకోనుంది. క్రీడాకారుల్ని ప్రలోభపెట్టేందుకు ప్రయత్నించే వారిపై నిఘా పెట్టనుంది.
ఫ్రాన్స్లోని ఇంటర్పోల్ ప్రధాన కార్యాలయాన్ని సందర్శించారు ఐసీసీ అవినీతి నిరోధక విభాగం జనరల్ మేనేజర్ అలెక్స్ మార్షల్. అనంతరం ఈ విషయాన్ని వెల్లడించారు.
'ఐసీసీ, ఇంటర్ పోల్ కలిసి అవినీతిపై పోరాటం చేసేందుకు సిద్ధమవుతున్నాయి. ఇప్పటికే చాలా దేశాల్లోని న్యాయ సంబంధమైన వ్యవస్థలతో సత్సంబంధాలు కలిగి ఉన్నాం. అయితే ఇంటర్ పోల్తో కలవడం వల్ల 194 దేశాల నెట్వర్క్ను అనుసంధానం చేసుకోవచ్చు. ఫలితంగా అవినీతిపరుల గురించి మరింత విస్తృతంగా తెలుసుకోవచ్చు.
-- అలెక్స్ మార్షల్, ఐసీసీ అవినీతి విభాగం
ఆటగాళ్లకు అవగాహన ఏర్పరిచి క్రీడలో అవినీతి, అక్రమాలు తరిమికొట్టడమే లక్ష్యమని వెల్లడించారు అలెక్స్. ఎవరైనా తప్పు చేసినట్లు తేలితే ఆయా దేశాల్లోని ఇంటర్పోల్తో ఆ విషయంపై లోతైన దర్యాప్తు చేపట్టేందుకు అవకాశం ఏర్పడుతుందన్నారు.
'ఆటల ద్వారా సత్సంబంధాలు పెరుగుతాయి. కానీ కొంత మంది దురాశతో చేసే పనులతో ఆటపై నిబద్ధతకు భంగం కలిగిస్తున్నారు. అందుకే ఐసీసీతో కలిశాం. ఇది చాలా మంచి నిర్ణయం.
-- గ్రేసియా, ఇంటర్ పోల్ అసిస్టెంట్ డైరెక్టర్
క్రికెట్లో మరింత పారదర్శకతను తీసుకొచ్చేందుకు ఐసీసీ సరికొత్త ఆలోచన చేసింది. ప్రపంచమంతా నెట్వర్క్ ఉన్న ఇంటర్పోల్ సహాకారం తీసుకోనుంది. క్రీడాకారుల్ని ప్రలోభపెట్టేందుకు ప్రయత్నించే వారిపై నిఘా పెట్టనుంది.
ఫ్రాన్స్లోని ఇంటర్పోల్ ప్రధాన కార్యాలయాన్ని సందర్శించారు ఐసీసీ అవినీతి నిరోధక విభాగం జనరల్ మేనేజర్ అలెక్స్ మార్షల్. అనంతరం ఈ విషయాన్ని వెల్లడించారు.
'ఐసీసీ, ఇంటర్ పోల్ కలిసి అవినీతిపై పోరాటం చేసేందుకు సిద్ధమవుతున్నాయి. ఇప్పటికే చాలా దేశాల్లోని న్యాయ సంబంధమైన వ్యవస్థలతో సత్సంబంధాలు కలిగి ఉన్నాం. అయితే ఇంటర్ పోల్తో కలవడం వల్ల 194 దేశాల నెట్వర్క్ను అనుసంధానం చేసుకోవచ్చు. ఫలితంగా అవినీతిపరుల గురించి మరింత విస్తృతంగా తెలుసుకోవచ్చు.
-- అలెక్స్ మార్షల్, ఐసీసీ అవినీతి విభాగం
ఆటగాళ్లకు అవగాహన ఏర్పరిచి క్రీడలో అవినీతి, అక్రమాలు తరిమికొట్టడమే లక్ష్యమని వెల్లడించారు అలెక్స్. ఎవరైనా తప్పు చేసినట్లు తేలితే ఆయా దేశాల్లోని ఇంటర్పోల్తో ఆ విషయంపై లోతైన దర్యాప్తు చేపట్టేందుకు అవకాశం ఏర్పడుతుందన్నారు.
'ఆటల ద్వారా సత్సంబంధాలు పెరుగుతాయి. కానీ కొంత మంది దురాశతో చేసే పనులతో ఆటపై నిబద్ధతకు భంగం కలిగిస్తున్నారు. అందుకే ఐసీసీతో కలిశాం. ఇది చాలా మంచి నిర్ణయం.
-- గ్రేసియా, ఇంటర్ పోల్ అసిస్టెంట్ డైరెక్టర్
SHOTLIST:
RESTRICTION SUMMARY: AP CLIENTS ONLY
ASSOCIATED PRESS
London, 2 April 2019
1. Wide of the Victoria and Albert museum
2. Wide of display
3. Wide of dress exhibit with "Alice" dress, Autumn/Winter 1971 in the foreground
4. Tilt up of "Alice"
5. Medium shot "Overdraft" waistcoat and "Cheque Book" shirt, 1967 (right) and dress with epaulettes and tie, 1966 (left)
6. Tilt down of "Overdraft" waistcoat and "Cheque Book" shirt
7. Pan right of label, showing model Twiggy modelling waistcoat and shorts ensemble
8. Tilt up of dress with epaulettes and tie
9. Wide of yellow rain cape, 1967 (left) and red rain coat (right) 1967
10. Medium tilt of red rain coat, 1967
11. Tilt down of yellow rain cape, 1967
BRITISH MOVIETONE
London, 1967
++4:3 MATERIAL. BLACK AND WHITE WITH VOICEOVER++
12. Various of Mary Quant presenting new collection, models
UPSOUND (English): "She put the Quant in quantity, and she put quality into ready-to-wear fashion. Mary Quant made her name by originality and originality goes all the way through her new collection."
ASSOCIATED PRESS
London, UK, 2 April 2019
13. SOUNDBITE (English) Stephanie Wood, exhibit co-curator:
"I think part of the reason why she's been slightly neglected over recent years is because there's always been such a focus on couture. And I think one of the exciting things for us, as a museum, is that we're doing this exhibition which covers mass production. So, it's a lot more egalitarian, democratic and a lot more accessible. So, it's not necessarily about very high-end couture, which is only experienced by a very limited number of women, it's about fashion for everyone and it's about self-expression. And that's a very current theme today and makes the exhibition incredibly relevant. I read a really interesting article recently that was saying that fashion and feminism need Quant now more than ever and I think that absolutely sums it up perfectly. I mean we're in the post #MeToo era right now, where so many women have felt marginalized, historically, and I think now is really the perfect time to celebrate a woman with an amazing career, who inspired so many different women and liberated them from traditional rules and regulations and from dressing like their mothers."
14. Various of frilled red maxi dress, 1973
15. Pan right of several dresses on display
16. Tilt down of "Meringue", Autumn/Winter 1969
17. Tilt up of mini-culottes dress, 1970-71
18. Pan right from metallic tartan dress, 1967 to several dresses
19. Tilt up of halter neck maxi dress, 1970
20. Various of metallic tartan dress, 1967
BRITISH MOVIETONE
UK, 1972
++4:3 MATERIAL. BLACK AND WHITE WITH VOICEOVER++
21. Various of Mary Quant fashion show
UPSOUND (English): "Dresses are in again. And that gentleman means legs. No longer hidden under dirty jeans, says Mary Quant, but exposed once more in the long legs look. So, what else is new?"
ASSOCIATED PRESS
London, 2 April 2019
22. SOUNDBITE (English) Stephanie Wood, exhibit co-Curator:
"Chelsea became a real hub in terms of fashion and a kind of creative centre that people looked to. And really, with her designs, she was absolutely challenging the dominance of Parisian couture. And up until that point, Paris was really the center of where everybody looked to for the next kind of fashion designs and the kind of future trends, but she challenged that. So, a lot of her clothes are very much inspired by British street style and she had a fundamental impact on the way that British fashion is still really seen today."
23. Wide of several mini skirt dresses on display
24. Tilt up of "Peachy", 1962, other mini skirt dresses in background
25. Medium of several mini skirt dresses on display
26. Wide of several mini skirt dresses on display
27. Tilt down sweater dress, 1966
28. SOUNDBITE (English) Stephanie Wood, exhibit co-curator:
"Despite the legend, the miniskirt was not invented by Mary Quant. It wasn't invented by Andre Courreges. She talks about it being, evolving from what women were already wearing on the streets. But I think because she was a female designer and because she had such a fundamental media coverage, and she was really the face of that brand and was very successful as being the kind of the center in the face of the brand, she was known as the kind of champion of the miniskirt and the pioneer of it."
29. Wide of exhibit
30. Medium of sketchbook, 1944
31. Tilt down of several items on display
32. Tilt up to "Georgie", 1962
33. SOUNDBITE (English) Jenny Lister, exhibit co-curator:
"So for me some of the most important pieces are the earlier pieces, so from the late '50s, very simple pinafore dresses, a little bit like schoolgirl uniforms almost which is what inspired her to really design in a minimalist and practical way, then you move through how she was inspired by different materials - in the '60s you have synthetic fabrics coming in, jersey dresses and I think jersey bright, colorful, swinging dresses with zips, they epitomized her style. So those have to be a great favorite. And then, of course, behind me you see the PVC raincoat which is another signature look for her and they really show how she applied her style to everything, not just dresses, but to outer garments, to hats to shoes, of course to cosmetics and then even toys and home furnishings as well in the '70s."
34. Medium of "Pinafore Pleats", 1960 (left), blouse, 1957 (center) and spotted pyjamas, 1956 (right)
35. Various of "Purely Puritanical", 1967
36. Medium of "pocket romper-dress, 1966 (left) and shirtdress with shorts, 1966 (right)
37. Tilt down of shirtdress with shorts, 1966
BRITISH MOVIETONE
London, 1971
++4:3 MATERIAL. BLACK AND WHITE WITH VOICEOVER++
38. Various of Mary Quant promoting home fabrics
UPSOUND (English): "More improvements to the home are being introduced, this time by Mary Quant. The famous Quant flair for fashion has left its mark on a wide new range of curtain materials."
ASSOCIATED PRESS
London, 2 April 2019
39. Various of "Meadow Sweet" Daisy doll, 1973 and "Daisy Barges On" sticker book, 1973
40. Various of "Marrakesh" Daisy doll, 1973
41. Close tilt up on Daisy Doll with camera around its neck
42. Wide of Daisy Doll with red maxi dress
SOUNDBITE (English) Stephanie Wood, Exhibit Co-Curator:
"But I think the biggest surprise for me was that she moved into the toy market in 1974. So she produced her Daisy Doll and you can see throughout the exhibition there are a number of these dolls which we've matched up with very similar, full size garments and she effectively, she decided to go into the toy market and it was a really clever way of engaging with a brand new generation of consumers. So, there's a whole generation of young children who were around in the '70s who came to know Mary Quant through those dolls and the way - in typical kind of Mary Quant style - the marketing was incredible and they did, every year there used to be a toy fair in Harrogate where you would launch your new products and when she launched her Daisy Doll in 1974 in the Harrogate Toy Fair she decided to have a full fashion show with full life-sized models wearing the same dresses that the tiny dolls did."
43. Various of "Arundel" Separates, 1973
44. Tilt down towelling loungewear, 1967
45. Wide shot of the OBE dress, 1966
STORYLINE:
DESIGNER MARY QUANT IS BACK IN FASHION AT LONDON EXHIBITION
The sixties are swinging their way into London's Victoria and Albert (V and A) museum.
A new exhibit is celebrating the influence of revolutionary British fashion designer Mary Quant, exploring her peak success years - from 1955 to 1975.
Although she's no longer as well remembered as her French peers, Quant had a great impact on the so-called "London look" which became synonymous with the swinging sixties set.
"I think part of the reason why she's been slightly neglected over recent years is because there's always been such a focus on couture," says exhibit co-curator Stephanie Wood.
"We're in the post #MeToo era right now, where so many women have felt marginalized, historically, and I think now is really the perfect time to celebrate a woman with an amazing career, who inspired so many different women and liberated them from traditional rules and regulations and from dressing like their mothers."
Quant's influence turned London's King's Road into the fashion mecca for young Britons. Even her trademark bob, styled by British-born celebrity hairstylist Vidal Sassoon, started fashion trends.
"With her designs, she was absolutely challenging the dominance of Parisian couture," says Wood.
"Up until that point, Paris was really the centre of where everybody looked to for the next kind of fashion designs and the kind of future trends, but she challenged that."
Those styles included the miniskirt, which became a symbol of Britain's swinging sixties.
Quant's "knee-skimming" outfits were first noticed by the media in 1960. The emerging street style of shorter skirts developed in tandem with teenage dance crazes.
By 1966, many young women were wearing short skirts, the term "miniskirt" was widely used, and miniskirts themselves were seen as a symbol of women's liberation, despite outrage from older generations.
The exhibit showcases, side-by-side, five miniskirt dresses from 1962 to '66, showing how hemlines gradually rose.
"Despite the legend, the miniskirt was not invented by Mary Quant. It wasn't invented by Andre Courreges (a French fashion designer). She talks about it evolving from what women were already wearing on the streets," says Wood.
The new exhibit features over 120 garments, including unseen pieces from the designer's personal archive, her sketchbook from when she was just 14-years-old, early makeup collections, accessories and number of the designer's famous Daisy Dolls.
The museum also appealed to the public for donations, 35 of them are featured in the exhibit.
"Mary Quant" runs 6 April 2019 - 16 February 2020 at London Victoria and Albert (V and A) museum.
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