మహా శివరాత్రి ఉత్సవాలు కర్నూలు జిల్లా మహానందిలో వైభవంగా జరుగుతున్నాయి. శ్రీకామేశ్వరీసమేత మహానందీశ్వర స్వామివారికి వివిధ వాహనసేవలు కన్నులపండుగగా నిర్వహించారు. మయూరవాహనంపై స్వామిఆసీనుడై విహరించారు. వేదపండితులు నీలకంఠునికి ప్రత్యేక పూజలు చేశారు. రాత్రి వేళ స్వామివారిని పుష్పవాహనంపై విహరింపజేసేందుకుఅధికారులు ఏర్పాట్లు చేశారు. బుధవారం ఉదయం గంగాధరుని రథోత్సవం జరగనుంది. గురువారం త్రిశూల స్నానం, తెప్పోత్సవం నిర్వహిస్తారు.
మయూర వాహనంపై ముక్కంటి విహారం - shiva
కర్నూలు జిల్లా మహానందిలో శ్రీ కామేశ్వరీ సమేత మహానందీశ్వర స్వామి మహా శివరాత్రి బ్రహ్మోత్సవాలు వైభవంగా జరుగుతున్నాయి. స్వామివారు మయూర వాహనంపై విహరించారు.
మహానందిశ్వరుడు
మహా శివరాత్రి ఉత్సవాలు కర్నూలు జిల్లా మహానందిలో వైభవంగా జరుగుతున్నాయి. శ్రీకామేశ్వరీసమేత మహానందీశ్వర స్వామివారికి వివిధ వాహనసేవలు కన్నులపండుగగా నిర్వహించారు. మయూరవాహనంపై స్వామిఆసీనుడై విహరించారు. వేదపండితులు నీలకంఠునికి ప్రత్యేక పూజలు చేశారు. రాత్రి వేళ స్వామివారిని పుష్పవాహనంపై విహరింపజేసేందుకుఅధికారులు ఏర్పాట్లు చేశారు. బుధవారం ఉదయం గంగాధరుని రథోత్సవం జరగనుంది. గురువారం త్రిశూల స్నానం, తెప్పోత్సవం నిర్వహిస్తారు.
మహానందిలో శివరాత్రి ఉత్సవాలు
SHOTLIST:
RESTRICTION SUMMARY:
AP CLIENTS ONLY
ASSOCIATED PRESS
Archive: Beverly Hills, California, 4 February 2013
1. Steven Spielberg poses for photographer at Oscar nominees luncheon
ASSOCIATED PRESS
Archive: Los Angeles, 29 November 2018
2. Director Rob Marshall posing
ASSOCIATED PRESS
Burbank, 4 March 2019
3. SOUNDBITE (English) Rob Marshall, director - on efforts to block streaming films from Oscars:
"I have to say that I am with Steven Spielberg on that. I really am. I really feel it's important. You know, this is an art form created specifically for the big screen. And there are, you know, incredible movies that are made for the small screen and that's fine too. But I think when you are working to create a film – a film like 'Mary Poppins Returns' – it's thrilling to see it on the big screen. And then of course to revisit it again on a smaller screen is wonderful. But it's built for that event and that kind of experience. So I feel, I feel that what he's expressing is 100 percent right. And, you know, yes it would be nice to have it for more than a two-week run to really give it – to let people see it. I mean, for instance, 'Roma' is one of those films where you actually want to see it on a big screen. There's not a lot of close-up of work. It's vast and beautiful. The cinematography is amazing. Alfonso is an incredible director. And you want to take it in on that kind of scope. So, you know, I do think that's an important discussion to have."
(Reporter: "Is like a four-week timeline the right timeline?")
"I don't know what the exact timeline would be. I just know that it needs that time for people to actually see it in the theatre. Not just sort of like a perfunctory whatever this many weeks. It has to be something that actually people can come, see the film the way it was meant to be seen. Otherwise, you know, then just create it specifically for television. And that's great too. I mean, look at the television. Television film right now and series right now and streaming services are like extraordinary and the work is extraordinary. But this is a different thing."
ASSOCIATED PRESS
Archive: Palm Springs, California, 3 January 2019
4. "Mary Poppins Returns" producer John DeLuca and director Rob Marshall pose for photographers
STORYLINE:
DIRECTOR ROB MARSHALL: 'I AM WITH STEVEN SPIELBERG' ON BLOCKING STREAMING FILMS FROM OSCARS
"Mary Poppins Returns" director Rob Marshall says "I'm with Steven Spielberg" in supporting rule changes that could block Netflix films from Oscars eligibility.
Spielberg is reportedly supporting a revised film academy regulation at an upcoming meeting of the organization's board of governors that would disqualify Netflix from the Oscars, or at least how the streaming giant currently operates during awards season.
Netflix nearly succeeded in getting its first best picture Oscar for Alfonso Cuaron's "Roma" at last week's Academy Awards. It lost to "Green Book," but the streaming service is likely to step up its awards game even more with Martin Scorsese's "The Irishman," coming out in the fall.
Netflix operates somewhat outside of the industry - not reporting box office gross, for example - while also infiltrating its most important institutions, like the Oscars and the Motion Picture Association of America.
Marshall says he joins Spielberg in worrying about what that will mean for the future of movies.
"I have to say that I am with Steven Spielberg on that. I really am. I really feel it's important. You know, this is an art form created specifically for the big screen. And there are incredible movies that are made for the small screen and that's fine too. But I think when you are working to create a film – a film like 'Mary Poppins Returns' – it's thrilling to see it on the big screen. And then of course to revisit it again on a smaller screen is wonderful. But it's built for that event and that kind of experience," Marshall said on Monday (4 MARCH) while promoting the home video release of "Mary Poppins Returns." "So I feel that what he's expressing is 100 percent right. And yes it would be nice to have it for more than a two-week run to really give it – to let people see it. I mean, for instance, 'Roma' is one of those films where you actually want to see it on a big screen. There's not a lot of close-up of work. It's vast and beautiful. The cinematography is amazing. Alfonso is an incredible director. And you want to take it in on that kind of scope."
Some see Spielberg's position as wrong-minded, especially when it comes to the Academy Awards, which requires a theatrical run to be eligible for an award.
Many online have pointed out the hypocrisy that the organization allows members to watch films on DVD screeners before voting.
Marshall says he's not sure how long a film should be in theatres only before becoming eligible.
"I don't know what the exact timeline would be. I just know that it needs that time for people to actually see it in the theatre. Not just sort of like a perfunctory whatever this many weeks. It has to be something that actually people can come, see the film the way it was meant to be seen," he said.
===========================================================
Clients are reminded:
(i) to check the terms of their licence agreements for use of content outside news programming and that further advice and assistance can be obtained from the AP Archive on: Tel +44 (0) 20 7482 7482 Email: info@aparchive.com
(ii) they should check with the applicable collecting society in their Territory regarding the clearance of any sound recording or performance included within the AP Television News service
(iii) they have editorial responsibility for the use of all and any content included within the AP Television News service and for libel, privacy, compliance and third party rights applicable to their Territory.
RESTRICTION SUMMARY:
AP CLIENTS ONLY
ASSOCIATED PRESS
Archive: Beverly Hills, California, 4 February 2013
1. Steven Spielberg poses for photographer at Oscar nominees luncheon
ASSOCIATED PRESS
Archive: Los Angeles, 29 November 2018
2. Director Rob Marshall posing
ASSOCIATED PRESS
Burbank, 4 March 2019
3. SOUNDBITE (English) Rob Marshall, director - on efforts to block streaming films from Oscars:
"I have to say that I am with Steven Spielberg on that. I really am. I really feel it's important. You know, this is an art form created specifically for the big screen. And there are, you know, incredible movies that are made for the small screen and that's fine too. But I think when you are working to create a film – a film like 'Mary Poppins Returns' – it's thrilling to see it on the big screen. And then of course to revisit it again on a smaller screen is wonderful. But it's built for that event and that kind of experience. So I feel, I feel that what he's expressing is 100 percent right. And, you know, yes it would be nice to have it for more than a two-week run to really give it – to let people see it. I mean, for instance, 'Roma' is one of those films where you actually want to see it on a big screen. There's not a lot of close-up of work. It's vast and beautiful. The cinematography is amazing. Alfonso is an incredible director. And you want to take it in on that kind of scope. So, you know, I do think that's an important discussion to have."
(Reporter: "Is like a four-week timeline the right timeline?")
"I don't know what the exact timeline would be. I just know that it needs that time for people to actually see it in the theatre. Not just sort of like a perfunctory whatever this many weeks. It has to be something that actually people can come, see the film the way it was meant to be seen. Otherwise, you know, then just create it specifically for television. And that's great too. I mean, look at the television. Television film right now and series right now and streaming services are like extraordinary and the work is extraordinary. But this is a different thing."
ASSOCIATED PRESS
Archive: Palm Springs, California, 3 January 2019
4. "Mary Poppins Returns" producer John DeLuca and director Rob Marshall pose for photographers
STORYLINE:
DIRECTOR ROB MARSHALL: 'I AM WITH STEVEN SPIELBERG' ON BLOCKING STREAMING FILMS FROM OSCARS
"Mary Poppins Returns" director Rob Marshall says "I'm with Steven Spielberg" in supporting rule changes that could block Netflix films from Oscars eligibility.
Spielberg is reportedly supporting a revised film academy regulation at an upcoming meeting of the organization's board of governors that would disqualify Netflix from the Oscars, or at least how the streaming giant currently operates during awards season.
Netflix nearly succeeded in getting its first best picture Oscar for Alfonso Cuaron's "Roma" at last week's Academy Awards. It lost to "Green Book," but the streaming service is likely to step up its awards game even more with Martin Scorsese's "The Irishman," coming out in the fall.
Netflix operates somewhat outside of the industry - not reporting box office gross, for example - while also infiltrating its most important institutions, like the Oscars and the Motion Picture Association of America.
Marshall says he joins Spielberg in worrying about what that will mean for the future of movies.
"I have to say that I am with Steven Spielberg on that. I really am. I really feel it's important. You know, this is an art form created specifically for the big screen. And there are incredible movies that are made for the small screen and that's fine too. But I think when you are working to create a film – a film like 'Mary Poppins Returns' – it's thrilling to see it on the big screen. And then of course to revisit it again on a smaller screen is wonderful. But it's built for that event and that kind of experience," Marshall said on Monday (4 MARCH) while promoting the home video release of "Mary Poppins Returns." "So I feel that what he's expressing is 100 percent right. And yes it would be nice to have it for more than a two-week run to really give it – to let people see it. I mean, for instance, 'Roma' is one of those films where you actually want to see it on a big screen. There's not a lot of close-up of work. It's vast and beautiful. The cinematography is amazing. Alfonso is an incredible director. And you want to take it in on that kind of scope."
Some see Spielberg's position as wrong-minded, especially when it comes to the Academy Awards, which requires a theatrical run to be eligible for an award.
Many online have pointed out the hypocrisy that the organization allows members to watch films on DVD screeners before voting.
Marshall says he's not sure how long a film should be in theatres only before becoming eligible.
"I don't know what the exact timeline would be. I just know that it needs that time for people to actually see it in the theatre. Not just sort of like a perfunctory whatever this many weeks. It has to be something that actually people can come, see the film the way it was meant to be seen," he said.
===========================================================
Clients are reminded:
(i) to check the terms of their licence agreements for use of content outside news programming and that further advice and assistance can be obtained from the AP Archive on: Tel +44 (0) 20 7482 7482 Email: info@aparchive.com
(ii) they should check with the applicable collecting society in their Territory regarding the clearance of any sound recording or performance included within the AP Television News service
(iii) they have editorial responsibility for the use of all and any content included within the AP Television News service and for libel, privacy, compliance and third party rights applicable to their Territory.
