ప్రత్యేక హోదా భరోసా యాత్ర పేరిట కాంగ్రెస్ బస్సు యాత్ర చేపట్టింది.
ప్రత్యేక హోదా భరోసా బస్సు యాత్
"రాష్ట్రంలో పొత్తుల్లేవ్"
ప్రత్యేక హోదా ఇచ్చే ఏకైక పార్టీ కాంగ్రెస్ అని పీసీసీ అధ్యక్షుడు రఘువీరారెడ్డి అన్నారు. ప్రత్యేక హోదా భరోసా బస్సు యాత్ర ప్రారంభించిన రఘువీరా రాహుల్ను ప్రధాని చేయడమే లక్ష్యమని అన్నారు.
పీసీసీ అధ్యక్షుడు రఘువీరారెడ్డి
ప్రత్యేక హోదా భరోసా యాత్ర పేరిట కాంగ్రెస్ బస్సు యాత్ర చేపట్టింది.
ప్రత్యేక హోదా భరోసా బస్సు యాత్
PORTUGAL ART
SOURCE: ASSOCIATED PRESS
RESTRICTIONS: AP Clients Only
COMMERCIAL MUSIC, MUSIC VIDEO, CATWALK MUSIC AND OR PERFORMANCES, MUST BE CLEARED ACCORDING TO YOUR OWN LOCAL MUSIC PERFORMANCE AND COPYRIGHT AGREEMENTS WITH YOUR APPLICABLE COLLECTING SOCIETY.
LENGTH: 7:27
SHOTLIST:
ASSOCIATED PRESS
Porto, Portugal - 18 February 2019
1. Various of Solitario" (the ring), 2018, Collection of the artist, made out of glasses of whisky and painted car rims
2. Visitor taking photo
3. Wide of "Solitario"
4. Wide of gardens showcasing "Marilyn", 2011, Collection of the artist (back left) and "Pavillion de The", 2012, Collection of the artist
5. Mid of "Marilyn", 2011, Collection of the artist, made out of steel pots
6. Various of Joana Vasconcelos speaking with journalist, presenting collection with pieces in the background
7. Close of "Marylin"
8. Vasconcelos presenting the piece
9. Tilt up of heel made of pots
10."Marylin" piece from the back
11. Wide of "Pavillion de The", 2012, Collection of the artist with Serralves foundation house in the background
12. Wide of central piece "I'll be your mirror", 2018, Collection of the artist
13. Close of mirrors that compose the Venetian style mask
14. Wide of piece from opposite side
15. Set up shots for Vasconelos, seen through mask
16. SOUNDBITE (Portuguese) Joana Vasconcelos, Portuguese artist:
"This exhibition is a return home, to the starting point, this is where I first showcased in a museum, the first time I presented my work along with other international artists. In truth, to be able to return here twenty years later to present my work with my first solo exhibition – because the first one was in a group – allows me to show who I am, and how my work developed since then up until now."
17. Cutaway mirrors
18. SOUNDBITE (Portuguese) Joana Vasconcelos, Portuguese artist:
"When visitors come to the exhibition they will be able to see two parts of my work. It is an anthological exhibition in the sense that it follows different stages of my work, through decades, it is full of references but also diverse so that the audience can see my way of thinking, and what I have been doing through different periods of time. It is not one single point of view, but rather different points of view and angles."
19. Close of "Ponto de encontro" (meeting point), 2000, Caixa Geral de Depositos Collection, Lisbon
20. Mid of "Ponto de encontro" (meeting point), 2000, Caixa Geral de Depositos Collection, Lisbon
21. Various of "Lilicoptere", 2012, Private Collection
22. Mid of "Quixote", 2017, Collection of the Artist
23. Wide of "Mustang", 2014, Collection of the artist / Quixote", 2017, Collection of the Artist / "Sancho Panza", 2017, Collection of the Artist
24. Mid of cat piece, name not provided
25. Wide of "Mestre de Avis", 2014, Collection of the Artist
26. Tilt up of "Mestre de Avis", 2014, Collection of the Artist
27. Various of "www.fatimashop", 2002, Louis Vuitton Foundation, Paris
28. Various of "Burka", 2002, MUSAC, Contemporary Art Museum Castilla y Leon, Leon
29. Tilt down of "A noiva" (the bride), 2001-2005, Elvas Contemporary Art Museum – Antonio Cachola Collection
30. Change of focus of of "A noiva" (the bride) made out of tampons
31. SOUNDBITE (Portuguese) Joana Vasconcelos, Portuguese artist:
"My favourite piece is hard to chose. If on one hand "A noiva" (the bride) is the work that brings me to the international stage, taking me to Venice and to the international world of art exhibitions, the mask (referring to "'I'm your mirror") is where I am now, it's the present, same with the ring piece, both I made for the Guggenheim (referring to the opening exhibition in Bilbao), works from the present. But emotionally the heart is a piece I cannot live without, same with the shoes and the "burka" – a more feminist work, in truth there's a very strong show of my work here, revealing my different views of the world, my concerns, also about who I am and my country."
32. Tilt down of "Coracao independente vermelho" (independent red heart), 2005, Berardo Museum Collection, Lisbon, with traditional Portuguese fado music by Amalia Rodrigues
33. Wide of piece
34. Close of piece made out of plastic
35. SOUNDBITE (Portuguese) Joana Vasconcelos, Portuguese artist:
"My work has a very open discourse, despite the fact that is strongly rooted in Portugal, in our symbols and our identity, it expands to other audiences and emotions have no identity, emotions are felt. So it has happened to me several times in which people had no idea of Viana do Castelo and the tradition of the filigree, crying simply by listening to Amalia (fado music singer) and looking at that piece. I learnt throughout the times that we can have very strong roots in our identity and our country and I do, but the way we communicate needs to be international and through emotions, it is through emotions that we communicate most of the time."
36. Change of focus from mirror to "finisterra"
37. Wide of "finisterra", 2018, Collection of the Artist
38. Wide of "Portugal a banhos" (Portugal goes swimming) 2010, Lisbon Port Collection, Lisbon – placed near the museum entrance
39. Various of museum entrance showcasing exhibition billboard
LEAD IN :
One of Portugal's most renowned contemporary artists Joana Vasconcelos is celebrating a solo exhibition in her homeland.
Vasconcelos' plays with form, texture and perception as she creates art that challenges stereotypes.
STORYLINE
Portuguese artist Joana Vasconcelos has returned to her homeland with a retrospective of her work called "I'm your mirror".
Everyday objects are recreated using other everyday objects.
A giant diamond ring made from car wheels and glasses, a pair of stiletto shoes made from steel saucepans. Glamour created from the mundane.
At centre of the exhibition is a large Venetian style mask, made of mirrors, to conceal and reveal the self simultaneously perhaps. Created last year, it shares the name of the exhibition "I'll be your mirror".
"This exhibition is a return home, to the starting point, this is where I first showcased in a museum, the first time I presented my work along with other international artists. In truth, to be able to return here twenty years later to present my work with my first solo exhibition – because the first one was in a group – allows me to show who I am, and how my work developed since then up until now," explains the artist.
Whimsical flights of fancy perhaps inspired the helicopter made of pink feathers "Lilicoptere".
In another gallery the head of a red bull made of red lace called "Quixote", hangs alongside the head of a horse made of white lace called "Mustang" and the head of a donkey called "Sancho Panza".
Vasconcelos' habit of dressing animals such as bulls, wolves and horses with traditional lace and crochet, invites us to expect the unexpected, the unconventional.
Elsewhere a homage to Portugal's holy site of Fatima, with dozens of mini statues of the Our Lady (Mother of Jesus).
There is a feminist motif in her work, a hijab rises and falls on a pulley. "The Bride" is a gigantic chandelier made out of tampons.
Vasconcelos says she can not choose her favourite piece of the collection.
"My favourite piece is hard to chose. If on one hand "A noiva" (the bride) is the work that brings me to the international stage, taking me to Venice and to the international world of art exhibitions, the mask (referring to "'I'm your mirror") is where I am now, it's the present, same with the ring piece, both I made for the Guggenheim (referring to the opening exhibition in Bilbao), works from the present. But emotionally the heart is a piece I cannot live without, same with the shoes and the "burka" – a more feminist work, in truth there's a very strong show of my work here, revealing my different views of the world, my concerns, also about who I am and my country."
Vasconcelos continues testing stereotypes, playing with shapes and concepts rooted in Portugal's most treasured symbols and cultural references.
A red swirling heart, made of plastic but referencing Portuguese filigree that spins in mid-air to the strains of traditional fado music is an art work close to Vasconcelos' heart.
"My work has a very open discourse, despite the fact that is strongly rooted in Portugal, in our symbols and our identity, it expands to other audiences and emotions have no identity, emotions are felt. So it has happened to me several times in which people had no idea of Viana do Castelo (place where filigree originated) and the tradition of the filigree, crying simply by listening to Amalia (fado music singer) and looking at that piece."
Emotional responses to art work are the most important she adds.
"I learnt throughout the times that we can have very strong roots in our identity and our country and I do, but the way we communicate needs to be international and through emotions, it is through emotions that we communicate most of the time."
The exhibition in Serralves Park and Museum includes more than 30 art works created from 1997 onwards.
It was organised by the Guggenheim Museum Bilbao - where it was first shown in 2018.
The exhibition can be visited from the 19th February until 24th June 2019 in Porto, northern Portugal.
====
Clients are reminded:
(i) to check the terms of their licence agreements for use of content outside news programming and that further advice and assistance can be obtained from the AP Archive on: Tel +44 (0) 20 7482 7482 Email: info@aparchive.com.
(ii) they should check with the applicable collecting society in their Territory regarding the clearance of any sound recording or performance included within the AP Television News service
(iii) they have editorial responsibility for the use of all and any content included within the AP Television News service and for libel, privacy, compliance and third party rights applicable to their Territory.
SOURCE: ASSOCIATED PRESS
RESTRICTIONS: AP Clients Only
COMMERCIAL MUSIC, MUSIC VIDEO, CATWALK MUSIC AND OR PERFORMANCES, MUST BE CLEARED ACCORDING TO YOUR OWN LOCAL MUSIC PERFORMANCE AND COPYRIGHT AGREEMENTS WITH YOUR APPLICABLE COLLECTING SOCIETY.
LENGTH: 7:27
SHOTLIST:
ASSOCIATED PRESS
Porto, Portugal - 18 February 2019
1. Various of Solitario" (the ring), 2018, Collection of the artist, made out of glasses of whisky and painted car rims
2. Visitor taking photo
3. Wide of "Solitario"
4. Wide of gardens showcasing "Marilyn", 2011, Collection of the artist (back left) and "Pavillion de The", 2012, Collection of the artist
5. Mid of "Marilyn", 2011, Collection of the artist, made out of steel pots
6. Various of Joana Vasconcelos speaking with journalist, presenting collection with pieces in the background
7. Close of "Marylin"
8. Vasconcelos presenting the piece
9. Tilt up of heel made of pots
10."Marylin" piece from the back
11. Wide of "Pavillion de The", 2012, Collection of the artist with Serralves foundation house in the background
12. Wide of central piece "I'll be your mirror", 2018, Collection of the artist
13. Close of mirrors that compose the Venetian style mask
14. Wide of piece from opposite side
15. Set up shots for Vasconelos, seen through mask
16. SOUNDBITE (Portuguese) Joana Vasconcelos, Portuguese artist:
"This exhibition is a return home, to the starting point, this is where I first showcased in a museum, the first time I presented my work along with other international artists. In truth, to be able to return here twenty years later to present my work with my first solo exhibition – because the first one was in a group – allows me to show who I am, and how my work developed since then up until now."
17. Cutaway mirrors
18. SOUNDBITE (Portuguese) Joana Vasconcelos, Portuguese artist:
"When visitors come to the exhibition they will be able to see two parts of my work. It is an anthological exhibition in the sense that it follows different stages of my work, through decades, it is full of references but also diverse so that the audience can see my way of thinking, and what I have been doing through different periods of time. It is not one single point of view, but rather different points of view and angles."
19. Close of "Ponto de encontro" (meeting point), 2000, Caixa Geral de Depositos Collection, Lisbon
20. Mid of "Ponto de encontro" (meeting point), 2000, Caixa Geral de Depositos Collection, Lisbon
21. Various of "Lilicoptere", 2012, Private Collection
22. Mid of "Quixote", 2017, Collection of the Artist
23. Wide of "Mustang", 2014, Collection of the artist / Quixote", 2017, Collection of the Artist / "Sancho Panza", 2017, Collection of the Artist
24. Mid of cat piece, name not provided
25. Wide of "Mestre de Avis", 2014, Collection of the Artist
26. Tilt up of "Mestre de Avis", 2014, Collection of the Artist
27. Various of "www.fatimashop", 2002, Louis Vuitton Foundation, Paris
28. Various of "Burka", 2002, MUSAC, Contemporary Art Museum Castilla y Leon, Leon
29. Tilt down of "A noiva" (the bride), 2001-2005, Elvas Contemporary Art Museum – Antonio Cachola Collection
30. Change of focus of of "A noiva" (the bride) made out of tampons
31. SOUNDBITE (Portuguese) Joana Vasconcelos, Portuguese artist:
"My favourite piece is hard to chose. If on one hand "A noiva" (the bride) is the work that brings me to the international stage, taking me to Venice and to the international world of art exhibitions, the mask (referring to "'I'm your mirror") is where I am now, it's the present, same with the ring piece, both I made for the Guggenheim (referring to the opening exhibition in Bilbao), works from the present. But emotionally the heart is a piece I cannot live without, same with the shoes and the "burka" – a more feminist work, in truth there's a very strong show of my work here, revealing my different views of the world, my concerns, also about who I am and my country."
32. Tilt down of "Coracao independente vermelho" (independent red heart), 2005, Berardo Museum Collection, Lisbon, with traditional Portuguese fado music by Amalia Rodrigues
33. Wide of piece
34. Close of piece made out of plastic
35. SOUNDBITE (Portuguese) Joana Vasconcelos, Portuguese artist:
"My work has a very open discourse, despite the fact that is strongly rooted in Portugal, in our symbols and our identity, it expands to other audiences and emotions have no identity, emotions are felt. So it has happened to me several times in which people had no idea of Viana do Castelo and the tradition of the filigree, crying simply by listening to Amalia (fado music singer) and looking at that piece. I learnt throughout the times that we can have very strong roots in our identity and our country and I do, but the way we communicate needs to be international and through emotions, it is through emotions that we communicate most of the time."
36. Change of focus from mirror to "finisterra"
37. Wide of "finisterra", 2018, Collection of the Artist
38. Wide of "Portugal a banhos" (Portugal goes swimming) 2010, Lisbon Port Collection, Lisbon – placed near the museum entrance
39. Various of museum entrance showcasing exhibition billboard
LEAD IN :
One of Portugal's most renowned contemporary artists Joana Vasconcelos is celebrating a solo exhibition in her homeland.
Vasconcelos' plays with form, texture and perception as she creates art that challenges stereotypes.
STORYLINE
Portuguese artist Joana Vasconcelos has returned to her homeland with a retrospective of her work called "I'm your mirror".
Everyday objects are recreated using other everyday objects.
A giant diamond ring made from car wheels and glasses, a pair of stiletto shoes made from steel saucepans. Glamour created from the mundane.
At centre of the exhibition is a large Venetian style mask, made of mirrors, to conceal and reveal the self simultaneously perhaps. Created last year, it shares the name of the exhibition "I'll be your mirror".
"This exhibition is a return home, to the starting point, this is where I first showcased in a museum, the first time I presented my work along with other international artists. In truth, to be able to return here twenty years later to present my work with my first solo exhibition – because the first one was in a group – allows me to show who I am, and how my work developed since then up until now," explains the artist.
Whimsical flights of fancy perhaps inspired the helicopter made of pink feathers "Lilicoptere".
In another gallery the head of a red bull made of red lace called "Quixote", hangs alongside the head of a horse made of white lace called "Mustang" and the head of a donkey called "Sancho Panza".
Vasconcelos' habit of dressing animals such as bulls, wolves and horses with traditional lace and crochet, invites us to expect the unexpected, the unconventional.
Elsewhere a homage to Portugal's holy site of Fatima, with dozens of mini statues of the Our Lady (Mother of Jesus).
There is a feminist motif in her work, a hijab rises and falls on a pulley. "The Bride" is a gigantic chandelier made out of tampons.
Vasconcelos says she can not choose her favourite piece of the collection.
"My favourite piece is hard to chose. If on one hand "A noiva" (the bride) is the work that brings me to the international stage, taking me to Venice and to the international world of art exhibitions, the mask (referring to "'I'm your mirror") is where I am now, it's the present, same with the ring piece, both I made for the Guggenheim (referring to the opening exhibition in Bilbao), works from the present. But emotionally the heart is a piece I cannot live without, same with the shoes and the "burka" – a more feminist work, in truth there's a very strong show of my work here, revealing my different views of the world, my concerns, also about who I am and my country."
Vasconcelos continues testing stereotypes, playing with shapes and concepts rooted in Portugal's most treasured symbols and cultural references.
A red swirling heart, made of plastic but referencing Portuguese filigree that spins in mid-air to the strains of traditional fado music is an art work close to Vasconcelos' heart.
"My work has a very open discourse, despite the fact that is strongly rooted in Portugal, in our symbols and our identity, it expands to other audiences and emotions have no identity, emotions are felt. So it has happened to me several times in which people had no idea of Viana do Castelo (place where filigree originated) and the tradition of the filigree, crying simply by listening to Amalia (fado music singer) and looking at that piece."
Emotional responses to art work are the most important she adds.
"I learnt throughout the times that we can have very strong roots in our identity and our country and I do, but the way we communicate needs to be international and through emotions, it is through emotions that we communicate most of the time."
The exhibition in Serralves Park and Museum includes more than 30 art works created from 1997 onwards.
It was organised by the Guggenheim Museum Bilbao - where it was first shown in 2018.
The exhibition can be visited from the 19th February until 24th June 2019 in Porto, northern Portugal.
====
Clients are reminded:
(i) to check the terms of their licence agreements for use of content outside news programming and that further advice and assistance can be obtained from the AP Archive on: Tel +44 (0) 20 7482 7482 Email: info@aparchive.com.
(ii) they should check with the applicable collecting society in their Territory regarding the clearance of any sound recording or performance included within the AP Television News service
(iii) they have editorial responsibility for the use of all and any content included within the AP Television News service and for libel, privacy, compliance and third party rights applicable to their Territory.
Last Updated : Feb 20, 2019, 12:06 AM IST
