ସୋସିଆଲ ମିଡିଆ ପୋଷ୍ଟକୁ ନେଇ ଚର୍ଚ୍ଚାରେ ଇରଫାନଙ୍କ ଲାଡଲା

ପୁଣି ନିଜ ବୟାନ ପାଇଁ ଚର୍ଚ୍ଚାରେ ବାବିଲ ଖାନ । ଏବେ ପୁଣିଥରେ ସେ ପିତା ଇରଫାନଙ୍କ ଖାସ୍ କଥା ଜଣାଇବା ସହ ସୁଶାନ୍ତ ଓ କଲ୍କିଙ୍କ ବିଷୟରେ ଆଲୋଚନା କରିଛନ୍ତି ।

ମୁମ୍ବାଇ: ସୁଶାନ୍ତ ସିଂ ରାଜପୁତଙ୍କ ମୃତ୍ୟୁ ପରେ ବଲିଉଡର ବାସ୍ତବ ଚେହେରା ଧିରେ ଧିରେ କରି ସମସ୍ତଙ୍କ ସାମ୍ନାକୁ ଆସିବାରେ ଲାଗିଛି । ସାଧାରଣ ଲୋକଙ୍କଠୁ ନେଇ ଅନେକ ସେଲିବ୍ରିଟି ବଲିଉଡ ଉପରେ ପରିବାରବାଦ, ଗୋଷ୍ଠୀବାଦ, ଫେଭରେଟିଜ୍ମ ଭଳି ଅଭିଯୋଗ ଲଗାଇସାରିଲେଣି । ସୋସିଆଲ ମିଡିଆରେ କିଛି ସେଲିବ୍ରିଟି ବଲିଉଡ ଉପରେ ନିଜ ପ୍ରତିକ୍ରିୟା ଦେବାରେ ଲାଗିଛନ୍ତି । ଏହି ମାମଲା ଉପରେ ଏବେ କହି ପୁଣିଥରେ ଚର୍ଚ୍ଚାରେ ସ୍ବର୍ଗତଃ ଅଭିନେତା ଇରଫାନ ଖାନଙ୍କ ପୁଅ ବାବିଲ ଖାନ । ସେ ପ୍ରାୟତଃ ସୋସିଆଲ ମିଡିଆରେ ନିଜ ପିତାଙ୍କ ବିଷୟରେ କିଛି ନା କିଛି ସେୟାର କରୁଥିବାର ଦେଖାଯାଆନ୍ତି । ହେଲେ ପରିବାରବାଦ ପରେ ସେ ଏବେ ଏକ ପାୱାରଫୁଲ ପୋଷ୍ଟ ସେୟାର କରିଛନ୍ତି ।

ଯେଉଁଥିରେ ସେ ଜଣାଇଛନ୍ତି ଇରଫାନ ସିନେମାରେ ଉପସ୍ଥାପନ କରାଯାଉଥିବା କିଛି ଜିନିଷ ଉପରେ ସ୍ବର ଉଠାଉଥିଲେ । ଆଉ ପରିଶେଷରେ ହାରିଯାଇଥିଲେ । ଏହାସହ ସେ ଦୁଇଟି ଫଟୋ ମଧ୍ୟ ସେୟାର କରିଛନ୍ତି ।

• View this post on Instagram

  You know one of the most important things my father taught me as a student of cinema? Before I went to film school, he warned me that I’ll have to prove my self as Bollywood is seldom respected in world cinema and at these moments I must inform about the indian cinema that’s beyond our controlled Bollywood. Unfortunately, it did happen. Bollywood was not respected, no awareness of 60’s - 90’s Indian cinema or credibility of opinion. There was literally one single lecture in the world cinema segment about indian cinema called ‘Bollywood and Beyond’, that too gone through in a class full of chuckles. it was tough to even get a sensible conversation about the real Indian cinema of Satyajit Ray and K.Asif going. You know why that is? Because we, as the Indian audience, refused to evolve. My father gave his life trying to elevate the art of acting in the adverse conditions of noughties Bollywood and alas, for almost all of his journey, was defeated in the box office by hunks with six pack abs delivering theatrical one-liners and defying the laws of physics and reality, photoshopped item songs, just blatant sexism and same-old conventional representations of patriarchy (and you must understand, to be defeated at the box office means that majority of the investment in Bollywood would be going to the winners, engulfing us in a vicious circle). Because we as an audience wanted that, we enjoyed it, all we sought was entertainment and safety of thought, so afraid to have our delicate illusion of reality shattered, so unaccepting of any shift in perception. All effort to explore the potential of cinema and its implications on humanity and existentialism was at best kept by the sidelines. Now there is a change, a new fragrance in the wind. A new youth, searching for a new meaning. We must stand our ground, not let this thirst for a deeper meaning be repressed again. A strange feeling beset when Kalki was trolled for looking like a boy when she cut her hair short, that is pure abolishment of potential. (Although I resent that Sushant’s demise has now become a fluster of political debates, but if a positive change is manifesting, in the way of the Taoist, we embrace it.)

  A post shared by Babil Khan (@babil.i.k) on Jul 8, 2020 at 12:42am PDT

  " class="align-text-top noRightClick twitterSection" data="

  View this post on Instagram

  You know one of the most important things my father taught me as a student of cinema? Before I went to film school, he warned me that I’ll have to prove my self as Bollywood is seldom respected in world cinema and at these moments I must inform about the indian cinema that’s beyond our controlled Bollywood. Unfortunately, it did happen. Bollywood was not respected, no awareness of 60’s - 90’s Indian cinema or credibility of opinion. There was literally one single lecture in the world cinema segment about indian cinema called ‘Bollywood and Beyond’, that too gone through in a class full of chuckles. it was tough to even get a sensible conversation about the real Indian cinema of Satyajit Ray and K.Asif going. You know why that is? Because we, as the Indian audience, refused to evolve. My father gave his life trying to elevate the art of acting in the adverse conditions of noughties Bollywood and alas, for almost all of his journey, was defeated in the box office by hunks with six pack abs delivering theatrical one-liners and defying the laws of physics and reality, photoshopped item songs, just blatant sexism and same-old conventional representations of patriarchy (and you must understand, to be defeated at the box office means that majority of the investment in Bollywood would be going to the winners, engulfing us in a vicious circle). Because we as an audience wanted that, we enjoyed it, all we sought was entertainment and safety of thought, so afraid to have our delicate illusion of reality shattered, so unaccepting of any shift in perception. All effort to explore the potential of cinema and its implications on humanity and existentialism was at best kept by the sidelines. Now there is a change, a new fragrance in the wind. A new youth, searching for a new meaning. We must stand our ground, not let this thirst for a deeper meaning be repressed again. A strange feeling beset when Kalki was trolled for looking like a boy when she cut her hair short, that is pure abolishment of potential. (Although I resent that Sushant’s demise has now become a fluster of political debates, but if a positive change is manifesting, in the way of the Taoist, we embrace it.)

  A post shared by Babil Khan (@babil.i.k) on Jul 8, 2020 at 12:42am PDT

  ">

  View this post on Instagram

  You know one of the most important things my father taught me as a student of cinema? Before I went to film school, he warned me that I’ll have to prove my self as Bollywood is seldom respected in world cinema and at these moments I must inform about the indian cinema that’s beyond our controlled Bollywood. Unfortunately, it did happen. Bollywood was not respected, no awareness of 60’s - 90’s Indian cinema or credibility of opinion. There was literally one single lecture in the world cinema segment about indian cinema called ‘Bollywood and Beyond’, that too gone through in a class full of chuckles. it was tough to even get a sensible conversation about the real Indian cinema of Satyajit Ray and K.Asif going. You know why that is? Because we, as the Indian audience, refused to evolve. My father gave his life trying to elevate the art of acting in the adverse conditions of noughties Bollywood and alas, for almost all of his journey, was defeated in the box office by hunks with six pack abs delivering theatrical one-liners and defying the laws of physics and reality, photoshopped item songs, just blatant sexism and same-old conventional representations of patriarchy (and you must understand, to be defeated at the box office means that majority of the investment in Bollywood would be going to the winners, engulfing us in a vicious circle). Because we as an audience wanted that, we enjoyed it, all we sought was entertainment and safety of thought, so afraid to have our delicate illusion of reality shattered, so unaccepting of any shift in perception. All effort to explore the potential of cinema and its implications on humanity and existentialism was at best kept by the sidelines. Now there is a change, a new fragrance in the wind. A new youth, searching for a new meaning. We must stand our ground, not let this thirst for a deeper meaning be repressed again. A strange feeling beset when Kalki was trolled for looking like a boy when she cut her hair short, that is pure abolishment of potential. (Although I resent that Sushant’s demise has now become a fluster of political debates, but if a positive change is manifesting, in the way of the Taoist, we embrace it.)

  A post shared by Babil Khan (@babil.i.k) on Jul 8, 2020 at 12:42am PDT

ଫଟୋ ସେୟାର କରି ସେ କ୍ୟାପସନରେ ଲେଖିଛନ୍ତି, ‘କଣ ଆପଣ ଜାଣିଛନ୍ତି ମୋ ପିତା ମତେ ସିନେମା ଛାତ୍ର ହେବା ରୂପେ ସବୁଠୁ ଆବଶ୍ୟକ ଜିନିଷ କଣ ଶିଖାଇଥିଲେ ।’ ଏହାବ୍ୟତୀତ ସେ ଅଭିନେତ୍ରୀ କଲ୍କି କୋଚଲିନଙ୍କ ବିଷୟରେ ଆଲୋଚନା କରି ଲେଖିଛନ୍ତି, ‘ମତେ ବହୁତ ଆଶ୍ଚର୍ଯ୍ୟ ଲାଗିଥିଲା ଯେବେ ସେ କେଶ କାଟିବାରୁ ତାଙ୍କୁ ପୁଅ କହି ଟ୍ରୋଲର କରାଯାଇଥିଲା । ଆଉ ଏବେ ସୁଶାନ୍ତଙ୍କ ମୃତ୍ୟୁକୁ ଲୋକେ ରାଜନୀତି ପ୍ରସଙ୍ଗ କରିଦେଇଛନ୍ତି । ଆଶା କରୁଛି ଶୀଘ୍ର ପରିବର୍ତ୍ତନ ଆସିବ ।’