Hollywood legend Errol Flynn was one among the bigwigs who attended Aan premiere. Flynn, the romantic star from Golden Age of Hollywood attempted to kiss Nimmi's hand at the premiere but she pulled it away, exclaiming, “I am an Indian girl, you cannot do that!” The incident caught the frenzy of media and Nimmi was all over the Press as the “…unkissed girl of India”.
That was Nawab Banoo, who made her Bollywood debut in Raj Kapoor's 1949 release, Barsaat, which was Kapoor's first major hit. In fact, the screen name Nimmi was reportedly given to her by Kapoor. Before Barsaat shoot was wrapped, Nimmi became Raj's rakhi sister and was given due respect by the Kapoor household.
Just as her screen name, Nimmi's real name, Nawab Banoo, too has an interesting story attached to it. Nimmi's maternal grandfather was a small zamindar in pre-independent India. Those days few people acquired the title of nawab and grandfather always craved for one, without success. So, when she was born, he gave her the title and insisted on calling her nawab saab, till he died.
Nimmi was born in Agra on February 18, 1933, as Nawab Banoo to a Muslim courtesan named Wahidan. Her father Abdul Hakim was a military contractor. When she was only 11, her mother passed away and Nimmi went to Abbottabad to live with her maternal grandmother. Post-Partition in 1947, when Abbottabad went to Pakistan, Nimmi's grandmother shifted to Mumbai to live in India. That's where Nimmi's Bollywood connection started, because her grandmother's other daughter, Jyoti, was a one time actor, and Jyoti's husband GM Durrani was a renowned playback singer and composer.
In the fifties and sixties, Nimmi's stardom was at its pinnacle. The actor worked in films with most top actors, notably the Bollywood Triumvirate of the era – Raj Kapoor, Dilip Kumar and Dev Anand. One of her earliest releases was Fali Mistry's Sazaa starring Dev Anand in 1951. The same year, she worked with Dilip Kumar and Ashok Kumar in Nitin Bose's Deedar.
The accidental actor, whose early outings were more theatrical, honed her skills and reached a time when with toned-down performances built a loyal fan base in the times when screen sirens like Nargis, Nutan, Madhubala and Meena Kumari were ruling the front.