Mumbai:Tuesday marks the 91st birth anniversary of the man of many talents, the late singer and actor Kishore Kumar. To celebrate, we bring you his best songs that fit every person's every mood.
Born on August 4, 1929, as Abhas Kumar Ganguly, the veteran singer has not only forayed into the world of playback singing but has also stepped into the shoes of an actor, music director, lyricist, film story writer, film director, producer and screenwriter.
Kumar began singing the chorus in Bombay Talkies. In 1948, Kishore Kumar kick-started his playback journey with 'Ziddi'. He sang his first song 'Marne Ki Duayen Kyon Mangu' in the musical direction of Khemchand Prakash.
By the mid-1950s, Kishore Kumar had established himself with his powerful voice and versatile singing style. In addition, he'd also become a rather popular actor. His song 'Haal Kaisa Hai Janab Ka' from Chalti Ka Naam Gaadi (1958), power packs even a dull mood.
Until Kumar gleefully unleashed his yodels, no one would have imagined that an Alpine folk singing technique could become so popular in Bollywood. Kumar's track 'Main Hoon Jhum Jhum Jhumroo' from Jhumroo (1961), showcased both the stunning range of his voice and his reputation for being just a little cuckoo.
In 1962 film Half Ticket, Kumar's song 'Aake Seedhi Lagi Katariya' showed him dressed as a woman. He's being pursued by Pran, who is seen dancing. The song is a dialogue between a woman (played by a man) and a man. Kumar sang both parts. His falsetto doesn't falter and without losing a beat he shuttles between the two completely different pitches.
Kishore Kumar's talent for comedy and his ability to do the darndest things sometimes obscured fans to the fact that some of his most memorable songs are melancholy. The song 'Mere Mehboob Qayamat Hogi' from Mr. X in Bombay (1964) exhibits the true emotions of broken hearts.
The song 'Ek Chatur Naar' from Padosan (1968) is one of it's kind. The song had Manna Dey poking gentle fun at the Carnatic singing style and Kumar making music out of complete gibberish.
Like other playback singers of his time, Kishore Kumar also sang songs in languages other than Hindi. Kumar's cheerful track 'Hoo Amdavad No Rickshaa Walo' from Atit Na Sambharna tempt people to breathe in a bit of Gujarat.