Hollywood actor Timothée Chalamet is singing Bob Dylan’s Subterranean Homesick Blues in a new teaser for upcoming biopic Complete Unknown. The actor is voicing the politically charged lyrics with the same biting irony as Dylan did back in 1965. He is a spitting image of the Nobel prize-winning American singer-songwriter in the teaser and trailer.
As Timothée Chalamet prepares to portray Dylan, audiences will get a glimpse of this moment that reshaped an entire genre. Complete Unknown is based on a historic moment in a young Dylan's life (it also inspired author Elijah Wald's book Dylan Goes Electric!).
When Dylan Went Electric
In 1965, Bob Dylan’s decision to go electric on stage was a moment that cracked open the world of popular music. It happened on 25th July at the Newport Folk Festival in the US. That music festival prized its acoustic purity and folk values, where guitars were always unplugged and voices unadorned. But that summer, Dylan showed up with a Stratocaster and plugged into a sound that would redefine rebellion in America.
Dylan stepped out before an audience expecting the usual unamplified sound. Instead, what they got was a blast of distortion, an amplified set that shattered the intimacy of folk with a brashness that seemed almost violent. Newport wasn’t ready for Dylan’s Fender Stratocaster. To his fans, it sounded like betrayal.
Moment of Impact
To understand what Dylan’s electric performance meant, we have to understand what folk music represented at the time. Folk music was about identity, community and politics for white Americans. With his songs about social justice and war, Dylan was the poet of that community. Folk fans wanted his lyrics to be unfiltered, without interference from loud amplifiers or electric beats.
But Dylan had already outgrown those constraints. His music was moving toward something harder to define, a fusion of folk’s introspection with the louder, brasher energy of rock. His 1965 hit Like a Rolling Stone had already hinted at this evolution. With its snarling vocals and electric edge, it was unlike anything Dylan had produced before. Critics and fans would later call it one of the greatest rock songs of all time.
On that July evening in Newport, Dylan took the stage, backed by guitarist Mike Bloomfield and organist Al Kooper. The first notes of Maggie’s Farm sent a jolt through the crowd. The response was immediate. Some booed, some cheered. Folk purists were horrified. To them, Dylan’s electric guitar was an assault on the sanctity of folk.