Hyderabad: Indian cinephiles are on cloud nine with India bagging two prestigious awards at the Cannes Film Festival 2024, making the nation proud like never before. All We Imagine As Light created history by bagging the Grand Prix Award at the Cannes Film Festival with Payal Kapadia being the first Indian film-maker to win this prestigious honour. Meanwhile, Anasuya Sengupta credited herself to being the first Indian actor to win the Best Actress award at the Cannes 2024 in Un Certain Regard.
In the midst of achieving such titular prizes at the Cannes, with Indian directors showcasing the power of independent cinema on a global platform, Bollywood actors Saba Azad and Tillotama Shome called out the industry for their lack of support, both financial and otherwise, towards independent movies.
Lust Stories 2 (2023) actor, Tilottoma Shome took to Instagram and spilled out some of the apparent truths about the Indian film industry, giving the audience a reality check about what it takes to fund, make, sponsor and take an independent film to Cannes.
The actor wrote, "I wanted to put some flowers out today, to celebrate the women from my country at Cannes. How did they get there? Ask them and you will weep. It is nothing short of a miracle for an Indian indie film with no institutional, financial or emotional support from the country, to make it this big. How were the films funded, how difficult was it complete the film in that budget, oh and how did the actors put together the money to fly to Cannes, so they could bring home the prize, that we are so proud of?"
Underlining the financial constraints, the actor also spoke of the patience and passion of the artists and how that would have never been lauded, if not for this prestigious award. The actor vouched for the 'no risk no gain policy' and urged the industry stalwarts to 'put some skin into this game, if we are feeling so proud' and go on to fund small-budget films.
Asking people to take a lesson from these two grand victories at the Cannes, she said: "Otherwise it's not pride, just shame for not believing in your own storytellers, until the world asks you to look at them. These women are filling the cracks and saving the building."
The acclaimed actor sought respect and pride for the storytellers of our country who dare to narrate their stories, and the experiences around them. In this era and age, it is indeed important to go 'vocal about the local' because the 'local is the new global' and one cannot hide the realities from the audience under the grab of high-end sets and costumes.