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ఆర్ఆర్ఆర్ సర్ప్రైజ్: ఒకే ఫ్రేములో నలుగురు స్టార్లు
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Published : Jan 29, 2020, 7:39 PM IST
| Updated : Feb 28, 2020, 10:36 AM IST
ప్రముఖ దర్శకుడు రాజమౌళి ప్రతిష్ఠాత్మకంగా తెరకెక్కిస్తున్న చిత్రం 'ఆర్ఆర్ఆర్'. టాలీవుడ్‌ అగ్రకథానాయకులు రామ్చరణ్, ఎన్టీఆర్ ప్రధాన పాత్రల్లో నటిస్తున్నారు. ఈ చిత్రంలో బాలీవుడ్‌, హలీవుడ్‌ తారలు సందడి చేయనున్నారు. తాజాగా జక్కన్నతో కలిసి చెర్రీ, తారక్, హిందీ నటుడు అజయ్ దేవగణ్ కలిసి తీసుకున్న ఫొటోను అభిమానులతో పంచుకుంది చిత్రబృందం.
ఆర్ఆర్ఆర్ సర్ప్రైజ్: నలుగురు స్టార్లు ఒకే ఫ్రేములో...
దర్శకధీరుడు రాజమౌళి ప్రతిష్ఠాత్మకంగా తెరకెక్కిస్తున్న 'ఆర్ఆర్ఆర్' చిత్రం నుంచి మరో అప్డేట్ వచ్చింది. ప్రస్తుతం ఈ సినిమా షూటింగ్ శరవేగంగా జరుగుతోంది. ఇదివరకే 70 శాతం చిత్రీకరణ పూర్తయినట్లు చిత్రబృందం వెల్లడించింది. అయితే రామ్చరణ్, జూ.ఎన్టీఆర్తో పాటు అజయ్ దేవగణ్ కలిసి ఉన్న సీన్లు ప్రస్తుతం చిత్రీకరిస్తున్నట్లు తెలుస్తోంది. తాజాగా చిత్రబృందం జక్కన్నతో ఈ ముగ్గురూ కలిసి తీసుకున్న ఫొటోను విడుదల చేసింది.
చరణ్ అల్లూరి సీతారామరాజుగా, తారక్ కొమరం భీమ్గా కనిపించునున్నారు. వీరి సరసన ఆలియా భట్, ఒలీవియా మోరిస్ హీరోయిన్లుగా నటిస్తున్నారు. అజయ్ దేవగణ్ పాత్రపై ఇప్పటికీ క్లారిటీ లేదు. ఇద్దరు సూపర్ హీరోల కలిస్తే ఎలా ఉంటుంది అనే కల్పిత కథతో ఈ సినిమాను తీస్తున్నారు. భారీ బడ్జెట్‌తో డీవీవీ దానయ్య ఈ సినిమాను నిర్మిస్తున్నాడు. కీరవాణి బాణీలు సమకూరుస్తున్నాడు. సినిమా ఈ ఏడాది జులై 30న ప్రేక్షకుల ముందుకు తీసుకొచ్చేందుకు సన్నాహాలు చేస్తున్నారు.
దర్శకధీరుడు రాజమౌళి ప్రతిష్ఠాత్మకంగా తెరకెక్కిస్తున్న 'ఆర్ఆర్ఆర్' చిత్రం నుంచి మరో అప్డేట్ వచ్చింది. ప్రస్తుతం ఈ సినిమా షూటింగ్ శరవేగంగా జరుగుతోంది. ఇదివరకే 70 శాతం చిత్రీకరణ పూర్తయినట్లు చిత్రబృందం వెల్లడించింది. అయితే రామ్చరణ్, జూ.ఎన్టీఆర్తో పాటు అజయ్ దేవగణ్ కలిసి ఉన్న సీన్లు ప్రస్తుతం చిత్రీకరిస్తున్నట్లు తెలుస్తోంది. తాజాగా చిత్రబృందం జక్కన్నతో ఈ ముగ్గురూ కలిసి తీసుకున్న ఫొటోను విడుదల చేసింది.
చరణ్ అల్లూరి సీతారామరాజుగా, తారక్ కొమరం భీమ్గా కనిపించునున్నారు. వీరి సరసన ఆలియా భట్, ఒలీవియా మోరిస్ హీరోయిన్లుగా నటిస్తున్నారు. అజయ్ దేవగణ్ పాత్రపై ఇప్పటికీ క్లారిటీ లేదు. ఇద్దరు సూపర్ హీరోల కలిస్తే ఎలా ఉంటుంది అనే కల్పిత కథతో ఈ సినిమాను తీస్తున్నారు. భారీ బడ్జెట్‌తో డీవీవీ దానయ్య ఈ సినిమాను నిర్మిస్తున్నాడు. కీరవాణి బాణీలు సమకూరుస్తున్నాడు. సినిమా ఈ ఏడాది జులై 30న ప్రేక్షకుల ముందుకు తీసుకొచ్చేందుకు సన్నాహాలు చేస్తున్నారు.
BELGIUM FLEMISH MASTER
SOURCE: ASSOCIATED PRESS/VAN EYCK. AN OPTICAL REVOLUTION/LUKASWEB
RESTRICTIONS: AP Clients Only/Part mandatory onscreen credit to "www.lukasweb.be"
LENGTH: 6:30
SHOTLIST:
ASSOCIATED PRESS - AP CLIENTS ONLY
Ghent, Belgium - 28 January 2020
1. Various of "Portrait of Margaret Van Eyck" by Jan van Eyck
2. Wide of exhibition, visitors
3. Various of "Archangel Gabriel" by Hubert and Jan van Eyck, exterior panel from "Ghent Altarpiece"
4. Mid of visitors looking at paintings
5. Mid of "Elisabeth Borluut" by Hubert and Jan van Eyck, exterior panel of "Ghent Altarpiece"
6. Various of "City view, Erythraean Sybil" by Hubert and Jan van Eyck
7. Various of (left) "St. John the Baptist" and (right) "St. John the Evangelist" by Hubert and Jan van Eyck, exterior panel of "Ghent Altarpiece"
8. Setup shot Frederica Van Dam, "Van Eyck: An Optical Revolution" Co-Curator, speaking to woman
9. SOUNDBITE (English) Frederica Van Dam, "Van Eyck An Optical Revolution" Co-Curator:
"This exhibition is the biggest Van Eyck exhibition ever. There are 13 works by his hands in our exhibition. And the most important thing is that they are going to dialogue with Van Eyck's masterwork – the Ghent Altarpiece - the freshly-restored outer panels of the masterpiece."
10. Various of "Madonna at the Fountain" by Jan Van Eyck
11. Pan right of visitors
PHOTO HANDOUT - "VAN EYCK. AN OPTICAL REVOLUTION"
12. STILL of "Portrait of Jan de Leeuv" by Jan van Eyck
ASSOCIATED PRESS - AP CLIENTS ONLY
Ghent, Belgium - 28 January 2020
13. Close of "Portrait of Jan de Leeuv" by Jan van Eyck
14. Wide of video displaying Van Eyck artworks, including "Portrait of Baudouin de Lannoy"
15. Various of "Portrait of Baudouin de Lannoy" by Jan van Eyck
16. SOUNDBITE (English) Frederica Van Dam, "Van Eyck An Optical Revolution" Co-Curator:
"I don't know if it will be possible for the future to have so many works again together, primarily because the Ghent Altarpiece will never leave the (Ghent's St. Bavo) cathedral again. And secondly, because many of these loans are really an exception."
PHOTO HANDOUT - "VAN EYCK. AN OPTICAL REVOLUTION"
17. STILL of "Portrait of a Man" ('Leal Souvenir', 'Tymotheos') by Jan van Eyck
ASSOCIATED PRESS - AP CLIENTS ONLY
Ghent, Belgium - 28 January 2020
18. Close of "Portrait of a Man" ('Leal Souvenir', 'Tymotheos') by Jan van Eyck
19. Wide of visitors at exhibition
PHOTO HANDOUT - "VAN EYCK. AN OPTICAL REVOLUTION"
20. STILL of "Portrait of a Man with a Blue Chaperon" by Jan van Eyck
ASSOCIATED PRESS - AP CLIENTS ONLY
Ghent, Belgium - 28 January 2020
21. Mid of visitors looking at "Saint Francis Receiving the Stigmata" by Jan van Eyck
22. Various of "Saint Francis Receiving the Stigmata" by Jan van Eyck
ASSOCIATED PRESS - AP CLIENTS ONLY
Brussels, Belgium - 24 January 2020
23. Setup shot of Valentine Henderiks, Art Historian Professor at Universite' Libre de Bruxelles, speaking
24. SOUNDBITE (French) Valentine Henderiks, Art Historian Professor at Universite' Libre de Bruxelles:
"His revolutionary approach was to superimpose translucent layers over a clear preparatory layer. The painter laid a white preparatory layer made of chalk and glue over a wooden panel. This preparation was polished in order to later allow the reflection of light. It is this clear, white preparation that caused an optical effect on the final result."
ASSOCIATED PRESS - AP CLIENTS ONLY
Ghent, Belgium - 28 January 2020
25. Wide of visitors looking at painting
26. Various of "The Annunciation" by Jan van Eyck
27. Various of "Triptych of Petrus Wyts", After Jan van Eyck
ASSOCIATED PRESS - AP CLIENTS ONLY
Brussels, Belgium - 24 January 2020
28. SOUNDBITE (French) Valentine Henderiks, Art Historian Professor at Universite' Libre de Bruxelles:
"When we look at a Van Eyck painting, we become fascinated by his treatment of brocade garments. Each golden thread is painted according to its different thickness, nothing is automatic. This painting style is extremely fine, extremely tight in order to portray the feeling of velvet, the golden threads. He does that in a fabulous way."
ASSOCIATED PRESS - AP CLIENTS ONLY
Ghent, Belgium - 28 January 2020
29. Mid of cameraman filming "Annunciation Diptych by Jan van Eyck"
30. Mid of "Annunciation Diptych by Jan van Eyck"
31. Wide of gallery room
32. Mid of exhibit poster
33. Tilt down of St. Bavo's Cathedral exterior
34. Wide of Van Eyck poster on St. Bavo's Cathedral exterior
HANDOUT COURTESY of LUKASWEB - MANDATORY ON-SCREEN CREDIT: www.lukasweb.be
Ghent, Belgium - 28 January 2020
35. Tilt down of interior panels of "Ghent Altarpiece", including Mystic Lamb in central panel
36. Various of Mystic Lamb central panel
ASSOCIATED PRESS - AP CLIENTS ONLY
Ghent, Belgium - 28 January 2020
37. Setup shot of Peter Malfliet, Press Officer for St. Bavo's Cathedral and the Diocese of Ghent, opening reproduction of Ghent Altarpiece located at St. Bavo's, inside chapel where painting was originally placed in Van Eyck's time
38. SOUNDBITE (English) Peter Malfliet, Press Officer for St. Bavo's Cathedral and the Diocese of Ghent:
"We are not the first ones who think these eyes are too human. Some hundred years later - (in) 1515, one thought; 'No! Fashion changed, the eyes are too human' and they overpainted almost 70 percent of the central panel and also the eyes to make them less human."
39. Tilt up of Ghent Altarpiece left-side panels, the first panel from the left is a reproduction of "The Just Judges" by Hubert and Jan Van Eyck that disappeared in 1934
HANDOUT COURTESY of LUKASWEB - MANDATORY ON-SCREEN CREDIT: www.lukasweb.be
Ghent, Belgium - 28 January 2020
40. Close of Ghent Altarpiece left-side panels
ASSOCIATED PRESS - AP CLIENTS ONLY
Ghent, Belgium - 28 January 2020
41. SOUNDBITE (English) Peter Malfliet, Press Officer for St. Bavo's Cathedral and the Diocese of Ghent:
"It's a beautiful story to make this even more mysterious. Of course, we hope that one day it will be found, but the chances are very small, I think."
42. Wide of St. Bavo's Cathedral interior
43. Wide of square in front of St. Bavo's Cathedral
LEADIN:
The largest ever exhibit, dedicated to Flemish master Jan van Eyck, will open its doors to visitors from Saturday (1 February) in Belgium.
Almost half of Van Eyck's existing paintings will be on show at "Van Eyck: an Optical Revolution" in the city of Ghent.
The display will showcase how the painter broke new ground in art history by perfecting oil painting and masterfully depicting light.
STORYLINE:
Six hundred years after Jan van Eyck set off an artistic revolution, an enormous retrospective exhibit is celebrating the painter's genius.
Debuting Saturday (1 February), at Ghent's Fine Arts Museum, "Van Eyck: an Optical Revolution" offers an inside look at the 15th century Flemish master and how his work helped pave the way for the Renaissance.
The show includes the outer panels of "Ghent Altarpiece."
Frederica Van Dam is a co-curator and project coordinator of the exhibition.
She says this is a one-of-a-kind opportunity to see over a dozen Van Eyck masterpieces, which are normally scattered across museums around the world.
"This exhibition is the biggest Van Eyck exhibition ever. There are 13 works by his hands in our exhibition," she says.
"And the most important thing is that they are going to dialogue with Van Eyck's masterwork - the Ghent Altarpiece - the freshly-restored outer panels of the masterpiece."
The show was made possible thanks to loans from museums in Belgium and around the world, including the US, the UK, Austria, Germany and Italy.
It was a master effort that took years of work and is unlikely to be repeated any time soon, says Van Dam.
"I don't know if it will be possible for the future to have so many works again together, primarily because the Ghent Altarpiece will never leave the (Ghent's St. Bavo) cathedral again. And secondly, because many of these loans are really an exception," she says.
"Van Eyck: An optical revolution" highlights how Van Eyck translated his understanding of optical light phenomena into his paintings.
Valentine Henderiks is an art historian professor at Universite' Libre de Bruxelles.
She says that although oil painting was known at the time, Van Eyck improved it and refined it by introducing a groundbreaking technique that relied on layers of paint.
"His revolutionary approach was to superimpose translucent layers over a clear preparatory layer," explains Henderiks.
"The painter laid a white preparatory layer made of chalk and glue over a wooden panel. This preparation was polished in order to later allow the reflection of light. It is this clear, white preparation that caused an optical effect on the final result."
The new method also let him to portray humans and objects down to their most realistic details.
"When we look at a Van Eyck painting, we become fascinated by his treatment of brocade garments," says Henderiks.
"Each golden thread is painted according to its different thickness, nothing is automatic. This painting style is extremely fine, extremely tight in order to portray the feeling of velvet, the golden threads. He does that in a fabulous way."
Van Eyck didn't paint an idealized image of his sitters, but rather, portrayed them with all their facial flaws, blemishes and wrinkles included.
A man of many talents, Van Eyck was a learned court painter who likely doubled as a diplomat for the Burgundian Duke, Philip the Good.
As is the case for artists of his time, there's very little recorded about the life of the Medieval painter.
He was probably born in 1390 in Maaseik, a city located in today's eastern Belgium.
Van Eyck emerged on the artistic scene in the early 1420s. His career is linked to the Low Countries and to Philip the Good, to whom he owes his artistic ascent.
The Duke of Burgundy ruled over an area corresponding to part of today's France, Belgium, Luxembourg and the Netherlands.
In 1425, Van Eyck officially became Philip the Good's court painter. As such, the Flemish master lived in an opulent world, the details of which are on display in his works.
Artfully woven, plush brocade cloaks, fur-trimmed clothes, lace head covers, finely decorated carpets are all described in the tiniest detail.
The painter embarked on a sea trip to Portugal, where he was tasked with checking the suitability of Isabel of Portugal as Philip the Good's future bride and to paint her portrait.
As a court painter, Van Eyck was surrounded by scholars and exposed to scientific knowledge that likely helped him develop his new technique.
He died in 1441. The cause of his death is unknown, his grave has never been located.
The "Van Eyck 2020" exhibit includes eight panels of the Ghent Altarpiece, the first part to be restored, between 2012 and 2016.
Also known as the "Adoration of the Mystic Lamb", the painting is one of Van Eyck's best-known masterpieces.
The central panel featuring the Mystic Lamb has undergone a successive restoration and has just been unveiled - it's now back on show at St. Bavo's Cathedral.
Its restoration revealed Van Eyck's original lucent, bright colours but also a Mystic Lamb bearing a human-like face.
Controversy brewed in recent days when the image of the "new" Mystic Lamb was revealed to the world, with social media fanning the flames.
Peter Malfliet is the press officer for St. Bavo's Cathedral and the Diocese of Ghent.
He says restorers have been working in tandem with scientists, specialists and advisors.
When restorers removed the layer of varnish that had been added to the masterpiece a century after it was created, they found nothing more than the Mystic Lamb's original eyes, Malfliet adds.
"We are not the first ones who think these eyes are too human," he says.
"Some hundred years later - (in) 1515, one thought; 'No! Fashion changed, the eyes are too human' and they overpainted almost 70 percent of the central panel and also the eyes to make them less human."
The Ghent Altarpiece is Van Eyck's most mysterious artistic contribution.
If an inscription into the painting is anything to go by, the masterpiece was started by Hubert, the painter's brother and finished by Jan after his death.
"The Just Judges" panel of the Van Eyck brothers' multi-panel Gothic masterpiece hasn't been seen since 1934. What's on show today is a copy.
By all accounts, the "The Just Judges" panel was stolen.
But when chief suspect Arsene Goedertier suffered a stroke at a political rally, he died just after murmuring to a confidant: "Only I know where the `Adoration' is..."
The theft has kept Belgium enthralled ever since, with its heady mix of priceless art and scintillating mystery.
One of the more popular theories is that Goedertier, a stockbroker, may never have taken the panel out of the cathedral, but hidden it somewhere inside.
But lifting every tile in the massive St. Bavo would carry a prohibitive cost and risk damaging the historic edifice.
Malfliet says he doesn't hold much hope that the stolen panel will ever resurface.
"It's a beautiful story to make this even more mysterious. Of course, we hope that one day it will be found, but the chances are very small, I think," he says.
"Van Eyck. An optical revolution" runs until 30 April 2020.
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Last Updated : Feb 28, 2020, 10:36 AM IST
