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మోదీ బంపర్ ఆఫర్.. శరద్ పవార్ నో..!
కలిసి పనిచేద్దామన్న ప్రధానమంత్రి నరేంద్రమోదీ ప్రతిపాదనను తాను తిరస్కరించినట్లు ఎన్సీపీ అధ్యక్షుడు శరద్ పవార్ తెలిపారు. మోదీ ప్రభుత్వం తనకు రాష్ట్రపతి పదవి ఇవ్వజూపారనే వార్తలను ఖండించారు. అయితే కేంద్ర మంత్రి వర్గంలోకి సుప్రియాను తీసుకునే ప్రతిపాదన ఉండేదని స్పష్టం చేశారు.
శరద్ పవార్కు మోదీ బంపర్ ఆఫర్..
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Published : Dec 2, 2019, 10:25 PM IST
మహారాష్ట్రలో భాజపాతో కలిసి పనిచేయాలని ప్రధానమంత్రి నరేంద్రమోదీ కోరినట్లు ఎన్సీపీ అధ్యక్షుడు శరద్ పవార్ తెలిపారు. కానీ ప్రధాని ప్రతిపాదనను ఆయన తిరస్కరించినట్లు స్పష్టం చేశారు. ఓ టీవీ ఛానెల్ ముఖాముఖిలో పాల్గొన్న శరద్ పవార్ ఈ వ్యాఖ్యలు చేశారు.
"కలిసి పనిచేద్దామని మోదీ నాకు ప్రతిపాదన చేశారు. కానీ నేను వాటిని తిరస్కరించాను. ఇద్దరి మధ్య వ్యక్తిగత సంబంధాలు చాలా బాగున్నాయి. అవి అలాగే ఉంటాయని, కలిసి పనిచేయడం మాత్రం సాధ్యం కాదని చెప్పాను."-శరద్ పవార్, ఎన్సీపీ అధినేత.
మోదీ ప్రభుత్వం తనకు రాష్ట్రపతి పదవి ఇవ్వజూపిందన్న వార్తలను శరద్ పవార్ ఖండించారు. అయితే పార్లమెంట్ సభ్యురాలు సుప్రియా సూలే(శరద్ పవార్ కుమార్తె)ను కేంద్ర మంత్రివర్గంలోకి తీసుకునే ప్రతిపాదన ఉండేదని చెప్పారు.
మహారాష్ట్రలో భాజపాతో కలిసి పనిచేయాలని ప్రధానమంత్రి నరేంద్రమోదీ కోరినట్లు ఎన్సీపీ అధ్యక్షుడు శరద్ పవార్ తెలిపారు. కానీ ప్రధాని ప్రతిపాదనను ఆయన తిరస్కరించినట్లు స్పష్టం చేశారు. ఓ టీవీ ఛానెల్ ముఖాముఖిలో పాల్గొన్న శరద్ పవార్ ఈ వ్యాఖ్యలు చేశారు.
"కలిసి పనిచేద్దామని మోదీ నాకు ప్రతిపాదన చేశారు. కానీ నేను వాటిని తిరస్కరించాను. ఇద్దరి మధ్య వ్యక్తిగత సంబంధాలు చాలా బాగున్నాయి. అవి అలాగే ఉంటాయని, కలిసి పనిచేయడం మాత్రం సాధ్యం కాదని చెప్పాను."-శరద్ పవార్, ఎన్సీపీ అధినేత.
మోదీ ప్రభుత్వం తనకు రాష్ట్రపతి పదవి ఇవ్వజూపిందన్న వార్తలను శరద్ పవార్ ఖండించారు. అయితే పార్లమెంట్ సభ్యురాలు సుప్రియా సూలే(శరద్ పవార్ కుమార్తె)ను కేంద్ర మంత్రివర్గంలోకి తీసుకునే ప్రతిపాదన ఉండేదని చెప్పారు.
SHOTLIST:
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COURTESY OF MASTERCLASS - ON SCREEN COURTESY REQUIRED
1. Trailer clip- Misty Copeland Masterclass
ASSOCIATED PRESS
New York, 19 November 2019
2. SOUNDBITE (English) Misty Copeland, Principal Dancer, American Ballet Theatre:
"I guess a lot of people don't typically look at ballet dancers as athletes, and we are. And so those components, you know, your mental health, your confidence, understanding and being able to use your life experiences to be an artist. All of those components and elements are just as important as the technique that we learn since we were children._ the ballet technique. I don't know that people realize how important those things are. You know, dancers aren't just up there doing physical activity or they're not just up there twirling around and It looks so effortless, it's because we work at it for so long to make it look that way. But on top of it, you have to be an incredible actress. You have to have to have like just an understanding of adapting in the moment with live theater, you know you have an orchestra. There are so many elements that are out of your control. You just really have to be very self-aware, present, vulnerable, like all of these things. And so it was just as important for me to speak about my life, my background, the obstacles that I've had, you know what I eat, the people that have inspired me as well as ballet technique."
COURTESY OF MASTERCLASS - ON SCREEN COURTESY REQUIRED
3. Trailer clip- Misty Copeland Masterclass
ASSOCIATED PRESS
New York, 19 November 2019
4. SOUNDBITE (English) Misty Copeland, Principal Dancer, American Ballet Theatre:
"I have always been so open about speaking on the topic of the lack of diversity in classical ballet and I think once I became a principal dancer, a lot of people look at it like, 'OK, that's done. Like we've moved, we've grown, there's no more racism in ballet or in the world with, you know, President Obama.' And it's like, no. We're so far from that and I think my responsibilty is to just continue to work and be a representation as if I don't have all of this experience. But, being a principal dancer I feel like you're even under more of a microscope and I think people think like, 'Oh, you get there and everyone's just gonna love you.' But you're more visible and it's been a tough journey and I think that the reason I've gotten to this point and level in my career is because I feel like my past really has built the strength and the courage and the will to be able to handle all of this, though of course it's extremely difficult at times. You're not gonna be that strong all the time."
COURTESY OF MASTERCLASS - ON SCREEN COURTESY REQUIRED
5. Trailer clip- Misty Copeland Masterclass
ASSOCIATED PRESS
New York, 19 November 2019
6. SOUNDBITE (English) Misty Copeland, Principal Dancer, American Ballet Theatre:
"I was in I think Singapore and someone filmed it in the theater and then posted it on YouTube, my third act in 'Swan Lake' as Odile doing the 32 fouettes and, I mean I've experienced a lot of just ridiculous hate online. But this was like another level of just trying to like really just dig in there. I mean it's not coming from a good place and for me like I'm always very proud of myself for being a professional. I would never go on stage _ I have so much respect for what I do and for the history of ballet and for American Ballet Theatre, for the theaters I perform in, the orchestras, so I would never go on stage and not be prepared."
COURTESY OF MASTERCLASS - ON SCREEN COURTESY REQUIRED
7. Clip- Misty Copeland Masterclass
ASSOCIATED PRESS
New York, 19 November 2019
8. SOUNDBITE (English) Misty Copeland, Principal Dancer, American Ballet Theatre:
"It's for a bigger purpose. It's not like, 'oh, just come see Misty and then when she retires that goes away.' But it's to, for me, it's to bring in people that have not felt welcomed or accepted in these spaces. And I know once they're in the door, they'll fall in love with it. It's introducing the next generation, showing them that ballet is still alive."
POOL - DICK CLARK PRODUCTIONS
Los Angeles, 24 November 2019
9. Wide of Misty Copeland arriving at the American Music Awards
ASSOCIATED PRESS
New York, 19 November 2019
10. SOUNDBITE (English) Misty Copeland, Principal Dancer, American Ballet Theatre:
(Reporter: What do you see yourself doing 10 years from now?)
Copeland: "Oh my God. There's no way I could tell you, even (what I'll be doing) a year from now. Whenever I look back, I'm like, what? How did I end up doing all these amazing things that I never imagined my path would direct me in that way. I always stay open to whatever's going to happen but dance and ballet will forever be a part of everything that I do, I think. I'm venturing into so many different genres of art at this point but ballet has alwasy been the catalyst to get me there."
ASSOCIATED PRESS
ARCHIVE: New York, 21 March 2017
11. Various of Misty Copeland in ballet class
STORYLINE:
IN ONLINE MASTERCLASS, MISTY COPELAND TEACHES BALLET TECHNIQUE AND IMPARTS SOME IMPORTANT LIFE LESSONS
Yes, that was Misty Copeland at the American Music Awards the other night, dancing a passionate duet with partner Craig Hall as Taylor Swift sat at the piano singing her hit, "Lover."
That's also Copeland in a new holiday ad campaign, kicking her legs high enough to touch her face in metallic stilettos. Copeland's also working on a new silent film with her production company, and a Hollywood biopic of her is in the early stages.
No ballet dancer has crossed over into mainstream popular culture as has Copeland, who in 2015 made history when she became the first black female principal dancer at American Ballet Theatre, soon after making her high-profile debut in "Swan Lake."
With all her other projects, Copeland, now 37, still spends most of her time in the ballet studio, honing both her body and her craft to stay at peak performance level for her day job.
But she recently invited cameras into the ballet studio for her new MasterClass, becoming the latest celebrity to host the online teaching series, alongside Anna Wintour, Aaron Sorkin, Annie Leibovitz, Bob Iger, Natalie Portman and others.
"Dancers aren't just up there doing physical activity or they're not just up there twirling around and It looks so effortless," said Copeland. "It's because we work at it for so long to make it look that way. But on top of it, you have to be an incredible actress. You have to have to have like just an understanding of adapting in the moment with live theater, you know you have an orchestra. There are so many elements that are out of your control. You just really have to be very self-aware, present, vulnerable, like all of these things. And so it was just as important for me to speak about my life, my background, the obstacles that I've had, you know what I eat, the people that have inspired me as well as ballet technique."
Copeland also opens up in the class about being criticized online for not being able to perform the 32 fouette turns in a performance of "Swan Lake" and doing a different step instead.
"I was in I think Singapore and someone filmed it in the theater and then posted it on YouTube, my third act in 'Swan Lake' as Odile doing the 32 fouettes and, I mean I've experienced a lot of just ridiculous hate online. But this was like another level of just trying to like really just dig in there. I mean it's not coming from a good place and for me like I'm always very proud of myself for being a professional. I would never go on stage _ I have so much respect for what I do and for the history of ballet and for American Ballet Theatre, for the theaters I perform in, the orchestras, so I would never go on stage and not be prepared."
When Copeland started dancing principal roles, there were suddenly diverse crowds coming to ABT ballets. She believes that interest will last beyond the so-called "Misty effect."
"It's for a bigger purpose," she said. "It's not like, 'Oh, just come see Misty and then when she retires that goes away.' But it's to, for me, it's to bring in people that have not felt welcomed or accepted in these spaces. And I know once they're in the door, they'll fall in love with it. It's introducing the next generation, showing them that ballet is still alive."
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